What was it about?
Ten year old Bastian Balthazar Bux runs away from a gang of bullies from school and finds shelter in an old bookstore. There, he meets a bookseller named Carl Conrad Coreander who, instead of comforting the child, hurls insulting remarks at Bastian. But Carl is suddenly interrupted by a phone call. During the time the bookseller spends answering the call, Bastian steals a book titled The Neverending Story (I underline the title of the book Bastian reads to distinguish it from the title of the book we are reading). Because classes have already begun for the day, the boy decides to play hooky. He hides himself in the school attic and begins reading the book he stole.
The Neverending Story is not like any other fantasy book Bastian has ever read. Not only are the creatures extremely bizarre, Bastian soon discovers that he has an important role to play in the story. The Nothing is destroying Fantastica and is somehow responsible for the mysterious illness of the Childlike Empress. A child warrior with greenish skin and purple hair named Atreyu has been chosen by the empress to defeat the Nothing, but he is only given a magical medallion, the Auryn, for protection. Atreyu is ordered to leave his weapons behind. They will not help him in his quest.
Along the way, Atreyu’s horse dies in the Swamps of Sadness and is replaced by a luckdragon named Falkor. Falkor and Atreyu try to find a cure for the Childlike Empress’ illness but to no avail. The child warrior returns to the empress and admits his failure, but the empress has not given up hope. She knows of one who can save Fantastica, and he is the reader of The Neverending Story. The only person who can save Fantastica is Bastian Balthazar Bux, but unless he gives the empress a new name, the Nothing will annihilate the world. Will Bastian accept the mission?
What did I think of it?
Most people, I suspect, have never read The Neverending Story (translated from German by Ralph Manheim) but have at least seen the film adaptation. As a child, I really enjoyed watching the movie. Falkor is such a beautiful creature.
How can a child not like a movie with a creature that looks like this? I recently learned that two sequels were also made, but everyone I’ve talked to agrees that they are terrible. Michael Ende, the author of The Neverending Story, actually disliked all the films. He felt that the filmmakers had altered the message of his book. As I have not seen any of the sequels, I cannot comment on Ende’s criticism, but I certainly expected a different kind of story when I picked up the book. The first third of The Neverending Story is fast-paced and covers the material portrayed in the first movie. Bastian learns of his mission. But the rest of the book is quite different from the beginning in tone as well as in pacing. Suddenly, The Neverending Story ceases to be a lighthearted action story and becomes darker and much more philosophical in nature. Once Bastian arrives in Fantastica, the action slows down and much emphasis is placed on the boy’s interior transformation. The creatures are just as bizarre, but they serve an important purpose in the story. At the heart of The Neverending Story is the question, “What sort of a leader will Bastian be?” Are there limitations to what Bastian can do? The way this book was constructed reminds me so much of Le Petit Prince (The Little Prince). The first part is very childlike and whimsical. The final parts deal with more mature themes. I loved The Neverending Story. Good children’s literature, I believe, is loved by children and better appreciated by adults. A children’s fantasy book becomes a classic if it does more than tell a fun story. Michael Ende approached his books the way C.S. Lewis and J.R.R. Tolkien approached their works. Ende’s objection to being called a children’s author reminds me a lot of Tolkien’s comments about children’s literature in his essay On Fairy Stories.
In 1985, Michael Ende wrote, “One may enter the literary parlor via just about any door, be it the prison door, the madhouse door, or the brothel door. There is but one door one may not enter it through, which is the nursery door. The critics will never forgive you such. The great Rudyard Kipling is one to have suffered this. I keep wondering to myself what this peculiar contempt towards anything related to childhood is all about.”
The comparison to Rudyard Kipling is quite accurate. The Neverending Story (1975) is very much like the children’s books of early 20th century authors. It deals with themes of power, wisdom, and loss. I recommend this book to people young and old. It is excellent!
“Every real story is a never ending story.”
“When it comes to controlling human beings there is no better instrument than lies. Because, you see, humans live by beliefs. And beliefs can be manipulated. The power to manipulate beliefs is the only thing that counts.”